Fundraising as Marketing our Brand

When working on fundraising ideas it felt important to me that our events not only raised us money but promoted both our show and Sherbet Lemon Theatre as a brand. As a new and emerging theatre company we were faced with the task of promoting our brand before we had a product to give us a name, therefore, needing establish our company ethos through our marketing. Working with our Lead Marketer (Emily Liddle), we quickly established that fundraising would be an ideal outlet in which to promote our company brand in person and to a wider audience. In today’s environment it is “increasingly difficult and uncertain” that a company’s “success [can be] based only on product quality” (Todor, 2014, 59). Therefore, by using our fundraising events to promote the Sherbet Lemon Theatre brand, we were able to establish ourselves with the university community and create a lasting impression on those we encountered.

In relation to marketing, we also tailored our fundraising events to relate to our brand and our debut show. Our first event was ‘Guess the amount of Sherbet Lemons in the Jar’, which immediately linked to our company as we were using the sweets from which we obtained our company name. We then proceeded to run a ‘Guess the name of the Bear’ competition which again linked to our company brand as we placed the bear in a company t-shirt, but also linked to The Truth About Bedtime… as many people can relate a teddy bear to sleep. When running these competitions we also thought carefully about how the location of our events would promote our brand most successfully. We learned that “a brand can not function without a strategy” (Todor, 2014, 59), therefore, running our competitions in the locations that would strategically allow us to raise the most money and promote our brand to the widest audience. We placed our competitions in three main locations: Zing café in the Lincoln Performing Arts Centre, Ground floor of the University Library and the Students Union Reception, as we felt these locations provided optimum opportunities for reaching the widest audience. Each member of our company took part in our fundraising events prompting our ethos of a close working ensemble, all wearing either our company t-shirts or the colour yellow in order to make us recognisable. The tables on which we placed the jar and bear were decorated with sherbet lemon sweets, our business cards and yellow ribbon in order make us stand out in each location and all the event promotional posters housed our logo to keep everything brand related. Through this we were able to market Sherbet Lemon Theatre as a fun and approachable company, enticing the public and consequently making them more likely to donate to our cause.

lem jar bear su

 

(Round, 2018)                            (Round, 2018)                             (Round, 2018)

Alongside both of these competitions we also ran a Go Fund Me campaign, that allowed anyone outside of personal reach to our company the ability to donate if they wished too. This, therefore, allowed our company brand to be reached by a wider audience outside of our local market.

E.R.

(If you wish to gain more information on our fundraising events, please see the posts entitled Competition time!, Competition time! part 2 and reaching a wider audience, under the ‘Fundraiser’ tab. Also If you would like to examine the success of our competition locations please see the post entitled Analysing our fundraising campaign, under the ‘Technical Documents’ tab.)

 

Round, E. (2018) Guess the Name of the Bear [image].

Round, E. (2018) Sherbet Lemons on Display [image].

Round, E. (2018) Student Union Reception [image].

Todor, R.D. (2014) The importance of branding and rebranding for strategic marketing. Bulletin of the Transilvania University of Brasov, 7(2) 59-64. Available from http://eds.a.ebscohost.com.proxy.library.lincoln.ac.uk/eds/pdfviewer/pdfviewer?vid=2&sid=f0b26e6b-d5cf-484e-8788-c89d603be781%40sessionmgr4009 [accessed 12 April 2018].

Creating Relationships

Hello Everyone! The Sherby Lems have been busy networking and getting our name heard.

On international women’s day, 8/10 members of Sherbet Lemon Theatre attended women in the arts [WITA] in Lincoln. It was an event dedicated to show casing creative women and their talents, as well as allowing the chance for women to network and talk about their work. Which was a great opportunity to experience more arts as “arts and culture enrich our lives. They fire our imaginations, challenge, inspire, educate and entertain us” (Arts Council England, 2018). It also gave us the opportunity to advertise our own show and company to a wider audience and gain support from other women working in the industry.

We built a relationship with the women who run and work at WITA, and they opnely share our rehearsal photos on their social media, or our call outs and are even willing to take part in our verbatim research themselves.

The ladies at WITA have definitly provided us with more confidence about being open and not holding back which will contribute to the overall success of our show.

WITA
WITA

 

 

Works Cited

Arts Council England (2018) Great Art and Culture for Everyone. Arts Council England. Available from https://issuu.com/artscouncilengland/docs/ac_10year_strategy_text_aw_for__pdf/1?ff=true&e=9197550/32114813 [accessed on 9 April 2018].

Figures

WITA:  Sherbet Lemon Theatre (2018) Exercise Scene [image]. Available from https://www.instagram.com/p/BgEsgr0h2tp/?taken-by=sherbetlemontheatre [accessed 9 April 2018].

Count the sheep: The Dreamcatchers

After deciding on an overall theme of the set as a den in a bedroom, I am looking into objects that are usually found in bedrooms to see if I can create some unique elements to the set to make the sheet and poles seem homelier. At this point I wanted to experiment with the concept of the dream catcher. When researching the history of dream catchers, I found that they originate from The Ojibwa. They would hang the decorations above the place they would sleep, to catch dreams. ‘The good dreams, knowing their way, pass through the opening in the center of the webbing while the bad dreams, not knowing the way, are caught in the webbing and destroyed at the first light of the morning sun.’ (DreamCatcher.com, undated). Other legends say that the feathers connected to the bottom of the dream catcher directed the good dreams down to the individual who sleeps below it. I wanted to stay true to the original designs and history of the dream catcher while also doing a unique twist to entertain the audience when they notice them among the set. I want to incorporate a “cheeky” reference to the myth of “counting sheep to help you get to sleep”. Instead of the web design in the centre, I am going to put a geometric simple design of a sheep, allowing a gap in the centre to allow the good dreams through to follow the tradition. The design of the sheep will not be a distraction from the performers during the show, but something for the audience to view, think about, and “count” while being in the space. The idea is for the dream catchers to be hung around the space with feathers pointing downwards towards the performance area, to allow the good dreams to be channelled to the audience and performers.

Dreamcatcher designs
(Mason, 2018)

I decided on the use of dark blue wool to decorate the outer ring and create the central design with light blue wool, in keeping with the colour scheme of the show. When in discussions with Lucy (creative designer), she planned for the pyjamas to follow a blue theme due to research revealing that ‘people whose rooms are painted blue tend to sleep longer than those who get their shuteye in rooms with different colors.’ (National Sleep Foundation, undated). I do not want the set and costumes to clash, so to eliminate this risk I will follow the same colour scheme as the pyjamas. The dreamcatchers, therefore, will be blue with white feathers to fit in with the aesthetic of the show.

A.M

 

Works Cited:

DreamCatcher.com (undated) The Legend Of the Dream Catcher. USA: DreamCatcher.com. Available from https://dreamcatcher.com/Dream-Catcher-Legend.php [accessed 4 April 2018].

Mason, A. (2018) Dreamcatcher design [image].

National Sleep Foundation (undated) What your bedroom paint colors have to do with sleep quality. USA: National Sleep Foundation. Available from https://sleep.org/articles/best-colors-for-sleep/ [accessed 4 April 2018].